Sony
Sony ILME-FX30B FX30 Digital Cinema Camera with 11mm Lens, 64GB Card and More
4K12 inch1MPf/1.8
The Sony FX30 delivers 4K/120p 10-bit 4:2:2 from a 26.1MP APS-C sensor in a cage-ready magnesium body — a cinema-grade acquisition tool that doesn't demand cinema-grade infrastructure.
$2,839.00*
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*Price sourced from Amazon.com. Last updated:Jul 16, 2026.Price and availability are subject to change.
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Overview
Key Features
Sony USA Authorized. Bundle Includes: Sony FX30 Digital Cinema Camera + Sony E 11mm f/1.8 Lens, Sony 64GB SF-G Tough UHS-II SDXC Memory Card, 3 Piece Filter Kit, Wide Angle Lens, Telephoto Lens, Graduated Color Filter Kit, Tulip Lens Hood, Soft Bag, NP-FZ100 Battery, NP-FZ100 Charger, Photo Software, 12 inch Flexible Tripod, Hand Strap, Memory Card Wallet, and more
Compact Cinema Camera – The FX30 delivers professional video features in a lightweight Super 35/APS-C body. Its 26.1MP back-illuminated sensor is optimized for 6K oversampling to 4K, producing sharp, detailed footage with cinematic color. Designed for filmmakers, it combines pro controls with portability for on-the-go productions.
Advanced Video Recording – Capture 4K at up to 120p and 10-bit 4:2:2 color, or record 16-bit RAW externally via HDMI. With S-Cinetone and S-Log3 profiles, the FX30 offers cinematic color straight out of the camera or full flexibility in post-production. Oversampled 6K ensures clarity and fine detail in every frame.
Designed for Creators – Built with filmmaker-friendly features like dual CFexpress Type A/SD card slots, timecode sync, customizable LUTs, and tally lamps for on-set awareness. Its cage-free design includes multiple mounting points for accessories, making it adaptable for rigs, gimbals, or handheld shooting.
Rugged, Lightweight Build – The magnesium alloy body is compact yet durable, weighing just 646 g. Its dust- and moisture-resistant sealing ensures reliability in outdoor shoots. With long battery life and advanced cooling, the FX30 is built to support extended sessions in demanding production environments.
Specifications
Sensor Type
Super 35/APS-C
Sensor Resolution
26.1MP
Video Recording Resolution
4K up to 120p, 16-bit RAW externally
Color Sampling
10-bit 4:2:2
Oversampling
6K oversampling to 4K
Color Profiles
S-Cinetone, S-Log3
Card Slots
Dual CFexpress Type A/SD
Weight
646 g
Body Material
Magnesium Alloy
Pros & Cons
👍 Pros
- 4K at 120p with 10-bit 4:2:2 internal recording supports slow-motion capture and color grading workflows without requiring external recording hardware in most production contexts.
- 6K oversampling to 4K produces visibly sharper output with reduced aliasing compared to sensor-binning approaches — a direct image quality advantage on detail-rich subjects.
- Dual Base ISO maintains low noise floor across a wider sensitivity range, enabling clean shadow detail in mixed-light and low-light production environments.
- Timecode sync support allows the FX30 to integrate into multi-camera productions with a master timecode reference — a feature absent from consumer-tier cameras at this price point.
- The magnesium alloy cage-free body with dust and moisture sealing delivers production durability in a 646g package, reducing rig weight for gimbal, handheld, and drone applications.
👎 Cons
- The APS-C sensor size limits depth-of-field control compared to full-frame cinema cameras — achieving equivalent background separation requires faster lenses, which adds cost and weight to the production package.
- The E 11mm f/1.8 bundled lens is a wide prime; it provides no zoom capability, meaning coverage flexibility requires additional lens purchases beyond the kit.
- 16-bit RAW output requires an external HDMI recorder, adding cost, bulk, and a potential point of failure to the acquisition chain for color-critical projects.
- The FX30's internal cooling system, while effective for extended recording, produces fan noise that can be audible in very quiet environments with sensitive microphones positioned close to the body.
- Dual CFexpress Type A/SD slots require CFexpress Type A media for maximum performance, which remains more expensive per gigabyte than standard UHS-II SD cards used in competing camera systems.
Frequently Asked Questions
What recording formats does the FX30 support internally, and when is external RAW recording required?
Internally, the FX30 records up to 4K/120p in 10-bit 4:2:2 XAVC-I or XAVC-S codecs — sufficient for most professional deliverables including broadcast and streaming. For 16-bit RAW output, the FX30 requires an external recorder connected via HDMI. Internal recording covers the majority of production workflows; RAW is reserved for color-critical pipelines requiring maximum post latitude.
Does the FX30 support timecode sync for multi-camera productions?
Yes — the FX30 includes timecode input/output, enabling sync with other cameras and production equipment for multi-cam shoots. This is a key differentiator from consumer-grade cameras at similar price points and allows the FX30 to operate as a B or C camera in productions with a master timecode reference.
What does the dual Base ISO mean for low-light and high-contrast shooting?
The FX30's dual Base ISO provides a clean native gain setting at both its lower and upper ISO thresholds. The lower Base ISO is optimized for well-lit environments to minimize noise; the upper Base ISO engages a separate circuit path that maintains a low noise floor at higher sensitivity settings. In practice, you can shoot in darker environments and switch to the upper Base ISO without the noise penalty typical of simply increasing amplifier gain — the difference is visible in shadow detail preservation.
How does the FX30's 6K oversampling translate to 4K image quality?
6K oversampling means the sensor captures more raw data than the final 4K output requires. The excess information is downsampled using Sony's processing pipeline, which averages multiple photosites into each output pixel. The result is a sharper 4K image with reduced moiré and aliasing compared to cameras that line-skip or bin at the sensor level — a meaningful production quality advantage for detail-rich subjects like architecture or textured fabrics.
Is the magnesium alloy body's dust and moisture sealing sufficient for outdoor documentary work?
Sony rates the FX30 body as dust- and moisture-resistant — a meaningful level of environmental protection for outdoor shoots in light rain or dusty conditions, but not waterproof for submersion or heavy downpours. For prolonged adverse-weather shooting, a rain cover is still recommended. The sealing holds up reliably in the field conditions typical of documentary, event, and ENG-style production.
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