
Tascam
Tascam TM-80B Studio Condenser Microphone Bundle
★★★★★
CondenserPhantom power
A clean-sounding large-diaphragm condenser that brings broadcast-grade clarity to home studio vocal and acoustic tracking sessions.
$205.72*
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*Price sourced from Amazon.com. Last updated:Jul 14, 2026.Price and availability are subject to change.
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Overview
Key Features
Condenser microphone designed for home recording
18-mm, pure aluminum diaphragm
Cardioid polar pattern
Phantom power required: 9–48 V DC
Sensitivity: –38 dB ±2 dB (0 dB 1 V/Pa at 1 kHz).Output impedance: 200 Ω ±30 % (at 1 kHz)
Specifications
Type
Condenser
Diaphragm
18mm pure aluminum
Polar Pattern
Cardioid
Phantom Power
9–48V DC required
Sensitivity
–38 dB ±2 dB (0 dB = 1 V/Pa at 1 kHz)
Output Impedance
200Ω ±30% (at 1 kHz)
Included Accessories
Elastic shockmount, mini desk stand, 1.8m XLR cable (XLRM–XLRF)
Pros & Cons
👍 Pros
- The 18mm pure aluminum diaphragm captures transient detail on vocals and acoustic instruments with a clarity that outperforms plastic-capsule budget mics in the same price range.
- The wide phantom power acceptance range (9–48V DC) means it locks in cleanly with virtually any interface on the market, from entry-level to mid-tier.
- The cardioid pattern's rear rejection holds up in reflective home environments, reducing room wash without requiring heavy acoustic treatment.
- The bundle value — shockmount, desk stand, and XLR cable included — means you can be on a signal path within minutes of unboxing, with no additional hardware purchases required.
- At 200Ω output impedance, it drives cable runs to interface inputs without signal degradation, a practical advantage for desktop and home setups where cable routing can be unpredictable.
👎 Cons
- No pad switch or high-pass filter onboard limits versatility for loud sources or rooms with low-frequency rumble that can't be addressed at the interface.
- The –38 dB sensitivity requires noticeable preamp gain, which can expose the noise floor of cheaper or older interfaces — pairing matters more than it would with a hotter condenser.
- The included mini desk stand positions the mic low and fixed, which is adequate for casual use but limits optimal mic placement angles that a proper boom arm would provide.
- Self-noise specification is not published, which makes it difficult to benchmark against competing condensers when evaluating for critical quiet-source recording like whisper vocals or room ambience.
- The bundle's included 1.8m XLR cable is functional but short for setups where the interface isn't immediately adjacent to the recording position.
Frequently Asked Questions
Does the TM-80B require phantom power, and will my interface supply enough?
Yes — it requires phantom power between 9 and 48V DC. Most modern audio interfaces (Focusrite Scarlett, PreSonus AudioBox, Universal Audio Volt) supply 48V phantom, which this mic accepts cleanly. Confirm your interface has a +48V button and engage it before patching signal.
How does the cardioid polar pattern perform for home studio isolation?
The cardioid pattern provides natural rear rejection, which reduces room reflections and bleed from monitors directly behind the mic. In an untreated room, positioning the null point toward your most reflective wall will meaningfully clean up the noise floor of your recordings.
What is the output impedance, and does it matter for gain staging?
The TM-80B's output impedance is 200Ω. This pairs well with any interface input rated at 1kΩ or higher, which is standard. At the –38 dB sensitivity rating, you'll need moderate gain — expect to push a clean preamp to around 50–60 dB for a typical vocal level without hitting noise issues on quality interfaces.
Is the included shockmount adequate for desktop use?
The elastic shockmount included in the bundle handles typical desk rumble and minor vibration well. It won't replace a heavy-duty studio suspension mount for tracking in a live room with footfall, but for desktop podcast and home vocal work it keeps low-frequency mechanical noise out of your signal chain.
Can the TM-80B handle loud sources like acoustic guitar or close-miked cabinet?
The published specs don't list a maximum SPL or pad switch, so aggressive close-miking of loud sources carries some risk of overload. It's best suited to vocals, acoustic guitar at moderate distance, voiceover, and room ambience rather than high-SPL instrument sources.