
Tascam
Tascam TM-80B Studio Condenser Microphone Bundle
CondenserPhantom power
A clean-sounding large-diaphragm condenser that brings broadcast-grade clarity to home studio vocal and acoustic tracking sessions.
$205.72*
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*Price sourced from Amazon.com. Last updated:Aug 28, 2026.Price and availability are subject to change — details.
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Overview
Key Features
Condenser microphone designed for home recording
18-mm, pure aluminum diaphragm
Cardioid polar pattern
Phantom power required: 9–48 V DC
Sensitivity: –38 dB ±2 dB (0 dB 1 V/Pa at 1 kHz).Output impedance: 200 Ω ±30 % (at 1 kHz)
Specifications
Type
Condenser
Diaphragm
18mm pure aluminum
Polar Pattern
Cardioid
Phantom Power
9–48V DC required
Sensitivity
–38 dB ±2 dB (0 dB = 1 V/Pa at 1 kHz)
Output Impedance
200Ω ±30% (at 1 kHz)
Included Accessories
Elastic shockmount, mini desk stand, 1.8m XLR cable (XLRM–XLRF)
Frequently Asked Questions
Does the TM-80B require phantom power, and will my interface supply enough?
Yes — it requires phantom power between 9 and 48V DC. Most modern audio interfaces (Focusrite Scarlett, PreSonus AudioBox, Universal Audio Volt) supply 48V phantom, which this mic accepts cleanly. Confirm your interface has a +48V button and engage it before patching signal.
How does the cardioid polar pattern perform for home studio isolation?
The cardioid pattern provides natural rear rejection, which reduces room reflections and bleed from monitors directly behind the mic. In an untreated room, positioning the null point toward your most reflective wall will meaningfully clean up the noise floor of your recordings.
What is the output impedance, and does it matter for gain staging?
The TM-80B's output impedance is 200Ω. This pairs well with any interface input rated at 1kΩ or higher, which is standard. At the –38 dB sensitivity rating, you'll need moderate gain — expect to push a clean preamp to around 50–60 dB for a typical vocal level without hitting noise issues on quality interfaces.
Is the included shockmount adequate for desktop use?
The elastic shockmount included in the bundle handles typical desk rumble and minor vibration well. It won't replace a heavy-duty studio suspension mount for tracking in a live room with footfall, but for desktop podcast and home vocal work it keeps low-frequency mechanical noise out of your signal chain.
Can the TM-80B handle loud sources like acoustic guitar or close-miked cabinet?
The published specs don't list a maximum SPL or pad switch, so aggressive close-miking of loud sources carries some risk of overload. It's best suited to vocals, acoustic guitar at moderate distance, voiceover, and room ambience rather than high-SPL instrument sources.