
Tiffen
Tiffen 62OR16 62mm Orange 16 Filter
★★★★★
Classic 62mm orange contrast filter that deepens skies and separates tones for dramatic black-and-white photography.
$49.99*
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*Price sourced from Amazon.com. Last updated:Jul 15, 2026.Price and availability are subject to change.
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Overview
Key Features
Deeper than Yellow 16 filter
Produces more dramatic effects than yellow filter
62mm diameter
Primarily for black-and-white imaging
Specifications
Filter Size
62mm
Filter Type
Orange 16
Primary Use
Black-and-White Photography
Effect
Darkens blue/blue-green tones, enhances contrast
Best For
Landscapes, marine scenes, aerial photography
Model
62OR16
Pros & Cons
👍 Pros
- Produces noticeably more dramatic tonal contrast than lighter yellow filters without the extreme effect of a red filter
- 62mm thread size fits a wide range of mid-to-full-frame lenses
- Tiffen's optical glass maintains sharpness and clarity across the frame
- Useful middle-ground filter between subtle yellow and heavy red for flexible black-and-white shooting
👎 Cons
- Only useful for black-and-white photography, making it a single-purpose accessory
- Requires 1 to 1.5 stops of exposure compensation, which can be limiting in low-light conditions
- Fixed 62mm thread size requires step-up or step-down rings to use on other lens diameters
- Niche appeal in the digital era, as similar tonal effects can be approximated in post-processing
Frequently Asked Questions
What does an Orange 16 filter do differently than a Yellow filter?
The Orange 16 absorbs more blue light than a yellow filter, producing stronger darkening of blue skies and more pronounced tonal separation in black-and-white images for a more dramatic effect.
Can this filter be used with color photography?
While it physically fits any 62mm lens, the Orange 16 is designed primarily for black-and-white imaging. In color photography it would cast a strong orange tint over the entire image.
How many stops of exposure compensation does this filter require?
The Orange 16 filter typically requires approximately 1 to 1.5 stops of additional exposure to compensate for the light it absorbs.
What subjects benefit most from this filter?
Landscapes, marine scenes, and aerial photography are particularly well-suited, as the filter dramatically darkens blue skies and blue-green water while brightening warm-toned subjects like foliage and skin.