
Tiffen
Tiffen 62PM1 62mm Pro-Mist 1: Softening Filter for Lenses
★★★★★
Add a soft, cinematic glow to highlights and reduce clinical sharpness with this 62mm screw-on diffusion filter.
$79.95*$85.00Save 5%
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Overview
Key Features
Country of Origin:United States
Package length:1.0"
Package width:1.0"
Package height:1.0"
Specifications
Brand
Tiffen
Model
62PM1
Filter Size
62mm
Filter Type
Pro-Mist 1 (Diffusion)
Country of Origin
United States
Pros & Cons
👍 Pros
- Moderate diffusion strength softens clinical digital sharpness without making images look out of focus
- Creates natural pearlescent halation around highlights that is difficult to replicate in post-processing
- Standard 62mm screw-on thread makes it quick to attach, remove, or stack with other filters
- Made in the United States with Tiffen's established optical glass quality
- Works equally well for both photo and video applications
👎 Cons
- The fixed Grade 1 strength cannot be dialed down, so you must swap filters if you want a lighter effect
- Effect is applied globally and cannot be isolated to specific areas of the frame during capture
- May slightly reduce micro-contrast in scenes where some photographers prefer full sharpness
- Only fits 62mm lens threads, requiring step-up or step-down rings for use on other sizes
Frequently Asked Questions
What does the "1" in Pro-Mist 1 indicate?
The number refers to the filter's diffusion strength. Pro-Mist 1 provides a moderate softening effect—enough to noticeably reduce sharpness and create highlight halation without heavily obscuring fine detail. Lighter and stronger grades are available in the Pro-Mist line.
Does the Pro-Mist 1 reduce the amount of light entering the lens?
The light loss is negligible. The Pro-Mist 1 primarily scatters light from bright areas rather than absorbing it, so you generally will not need to compensate your exposure settings.
Can this filter be stacked with other 62mm filters such as a polarizer or UV filter?
Yes, the standard 62mm thread allows stacking. However, stacking multiple filters on wide-angle lenses may introduce vignetting at the corners of the frame.
Is the Pro-Mist 1 effect achievable in post-processing, or does the physical filter offer something different?
While software can approximate diffusion, the Pro-Mist 1 creates its halation effect by interacting with actual light hitting the lens, producing organic highlight blooms and tonal transitions that are difficult to replicate convincingly in post.