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Tiffen 67SEP2 67mm Sepia 2 Filter — main product image
Tiffen

Tiffen 67SEP2 67mm Sepia 2 Filter

Tiffen's Sepia 2 Filter bathes your 67mm glass in warm, vintage-brown tones for instant old-world atmosphere in-camera.

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Overview

For photographers who want to commit to a vintage aesthetic before the image ever hits a hard drive, the Tiffen 67mm Sepia 2 Filter is a direct, tactile tool. Screw it onto your portrait lens at a twilight lifestyle session or mount it on a landscape kit for misty, timeworn scenes — the warm pale-brown cast reads immediately in the viewfinder, letting you compose for the final mood rather than imagine it. It suits film photographers working in color as well as digital shooters who find post-process sepia grades too clinical or too uniform across tonal ranges.

Built with Tiffen's ColorCore technology, the filter bonds the sepia dye between two layers of optical glass, which means the color is stable, consistent, and free from the edge-darkening that can plague cheaper dyed-resin filters at larger diameters. The 67mm thread fits snugly on most standard zoom and prime lenses in that range, and the filter ring is machined to Tiffen's usual sturdy standard — it threads on cleanly and doesn't bind. Over a long day of shooting, it stays put and performs the same way in the eighth frame as it did in the first.

Key Features

Gives images a warm, brown glow

For color imaging

67mm diameter

Specifications

Brand
Tiffen
Model
67SEP2
Filter Diameter
67mm
Filter Type
Sepia Solid Color
Density
2
Technology
ColorCore
Compatible Imaging
Color film and digital

Frequently Asked Questions

The density 2 rating gives you a noticeably deeper, richer warm-brown cast than Sepia 1 — ideal when you want the vintage effect to read clearly in print or on screen without heavy post-processing. Sepia 1 is subtler; Sepia 2 commits to the look.
Yes, AF functions normally through this filter. You'll want to recheck your exposure after mounting it — the warm coloration absorbs some light, so expect a slight underexposure on autoexposure modes until you dial in compensation.
It's designed for color imaging on both mediums. On digital, the warm cast lands in-camera before your RAW processor sees the file, giving you a different creative starting point than a post-process sepia grade — particularly useful for JPEGs or video.
ColorCore lamination sandwiches the dye between optical glass elements rather than coating the surface. This keeps the color consistent edge-to-edge and prevents the tonal shift or vignetting you can get with lesser-quality dyed filters, especially at 67mm where wide angles are common.
No meaningful sharpness penalty with Tiffen's optical glass construction. Some photographers working at very wide apertures report minimal flare from the additional glass element, but at standard shooting apertures the filter is optically neutral beyond its intended color effect.

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