Tiffen

Tiffen 7280A 72mm 80A Color Correction Filter

5.0 (2 reviews)

Shoot under tungsten lights with daylight film and get accurate, neutral colors — the Tiffen 80A makes mixed-light correction as simple as screwing on a filter.

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*Price sourced from Amazon.com. Last updated:Jul 14, 2026.Price and availability are subject to change.

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Overview

The Tiffen 7280A is a classic color conversion filter built for a specific and practical problem: matching daylight-balanced film stock to the warm color temperature of tungsten light sources. Without correction, standard tungsten illumination (approximately 3200K) records on daylight film as a heavy orange-amber cast across the entire frame. The 80A filter shifts that perceived color temperature upward toward daylight balance (approximately 5500K), rendering skin tones, whites, and neutrals accurately without relying on gel corrections to the lights themselves. This makes it an indispensable tool for cinematographers and photographers working with existing tungsten stage rigs or on-location practical lighting where re-gelling isn't feasible. The 72mm diameter fits a wide range of professional lenses commonly used for portrait, commercial, and editorial work.

Tiffen manufactures this filter using their ColorCore process, which seals the color filtration between two optical glass layers rather than coating the surface. This lamination approach protects the dye from scratching, cleaning damage, and UV-induced fading over years of use — a meaningful construction advantage over surface-dyed alternatives. The practical limitation every working photographer needs to account for is the 2-stop exposure compensation the 80A requires. Under bright tungsten stage lighting this is manageable; in practical interior locations with standard incandescent sources, the light loss can become a real constraint. For digital shooters, the white balance control on any modern camera body achieves identical color correction with zero exposure penalty — the 80A's application today is essentially specific to film workflows and on-set live monitoring scenarios where in-camera correction isn't the right tool.

Key Features

Achieve correct colors in image with daylight film

Adjusts for lighting variations

72mm diameter

Primarily for color imaging

Specifications

Filter Type
80A Color Conversion
Filter Diameter
72mm
Color Shift
Tungsten (3200K) to Daylight (5500K)
Application
Daylight film in tungsten lighting
Construction
ColorCore (dye laminated between glass)
Primary Use
Color imaging / color correction

Pros & Cons

👍 Pros

  • Provides reliable color temperature correction from tungsten (3200K) to daylight (5500K) in a single, compact optical element
  • 72mm sizing fits a wide range of professional zoom and prime lenses commonly used for portrait and studio work
  • Tiffen's ColorCore glass-lamination process positions the dye between glass layers rather than on the surface, protecting the filtration from degradation over time
  • Compact, lightweight design adds minimal front weight to the lens — essentially invisible in the field
  • A genuine optical solution for shooting daylight film on tungsten-lit sets without access to gel the lights

👎 Cons

  • Imposes a 2-stop light penalty (filter factor 4x), which significantly limits available shutter speed and aperture combinations in already-dim tungsten environments
  • On digital cameras, the in-camera white balance menu achieves the same correction with zero light loss, making this filter largely redundant for digital-only shooters
  • 72mm threading limits use to lenses with that specific filter diameter without adapters
  • Deep blue filtration makes it easy to forget the filter is mounted when transitioning to daylight shooting, resulting in heavily blue-tinted images if not removed
  • No multicoating mentioned — high-contrast light sources near the frame edge may produce more flare than coated filters

Frequently Asked Questions

Any time you're shooting daylight-balanced film (or a daylight white balance preset) under standard tungsten lighting — incandescent bulbs, stage lighting, or older studio hot lights. Without correction, tungsten sources render with a strong orange/amber cast on daylight-balanced stock. The 80A shifts the color temperature from roughly 3200K (tungsten) up toward 5500K (daylight), giving you neutrally rendered skin tones and whites in the final image.
The 80A is primarily a film-era correction filter designed for use with daylight-balanced film stock in tungsten light. On a digital camera, your white balance menu achieves the same correction electronically and without the 2-stop light loss the 80A imposes. That said, photographers shooting RAW under tungsten sometimes use it to get a corrected image in-camera or for live monitoring on-set with a video assist.
The 80A has a filter factor of approximately 4x, which translates to a 2-stop exposure compensation. In practical terms — if your meter reads f/8 at 1/125s without the filter, you'll need to open to f/4 or slow to 1/30s with it mounted. This is a significant light penalty and limits its utility in lower-light tungsten environments.
The Tiffen 7280A is specifically sized for 72mm filter thread lenses. Confirm your lens's front filter thread diameter — usually printed on the lens barrel near the front element (e.g., ⌀72). If your lens is a different diameter, step-up or step-down rings can adapt it, though vignetting risk increases on wide-angle lenses.
Technically yes — it can be threaded onto another filter's front ring. In practice, stacking a thick correction filter with a polarizer or ND introduces vignetting risk at wider focal lengths and adds glass surfaces that degrade sharpness slightly. For multi-filter setups, a matte box with gel slots is a cleaner solution.