
Warm Audio
Warm Audio WA-87 R2B Large Diaphragm Condenser Mic - Black
★★★★★
Condenser
Vintage 87-style warmth and three-pattern versatility built for serious studio tracking and broadcast work.
$669.95*$699.00Save 4%
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Overview
Key Features
FAITHFUL REPRODUCTION OF THE ORIGINAL VINTAGE 87-STYLE CIRCUIT
ALL DISCRETE PREMIUM COMPONENTS, INCLUDING A NOS FAIRCHILD TRANSISTOR AND WIMA/NICHICON CAPACITORS
THREE POLAR PATTERNS: CARDIOID, FIGURE-OF-EIGHT, AND OMNIDIRECTIONAL
-10DB PAD AND 80HZ HIGH PASS FILTER
Specifications
Type
Large Diaphragm Condenser
Circuit
Discrete, vintage 87-style
Key Components
NOS Fairchild transistor, Wima/Nichicon capacitors
Output Transformer
Custom-wound Cinemag USA
Polar Patterns
Cardioid, Figure-of-Eight, Omnidirectional
Pad
-10dB
High-Pass Filter
80Hz
Connectivity
XLR
Body Material
Nickel-plated Brass
Finish
Black
Included Accessories
Hard mount, shock mount, wooden presentation box
Brand
Warm Audio
Model
WA-87 R2B
Pros & Cons
👍 Pros
- The discrete all-component circuit — NOS Fairchild transistor, Wima and Nichicon capacitors, custom Cinemag USA output transformer — produces a genuinely warm, three-dimensional sound with extended air on top that flatters vocals and acoustic instruments.
- The -10dB pad and 80Hz HPF switchability make this mic adaptable across source types without requiring external attenuation or EQ correction at the console.
- Three polar patterns — cardioid, figure-of-eight, and omni — give engineers flexibility to match the mic to the room and the session rather than working around a fixed pattern.
- The custom-wound Cinemag output transformer adds saturation character under heavy transients, contributing to the organic, slightly colored quality that engineers reach for on vocals, room mics, and acoustic guitar.
- Build quality — nickel-plated brass body, wooden presentation box, included shock mount — reflects a professional-tier instrument at a price point well below comparable boutique offerings.
👎 Cons
- Self-noise, while acceptable for studio tracking, is not class-leading — engineers miking very quiet acoustic sources or working at extreme gain settings may notice the noise floor in ways that ultra-low-noise modern condensers would not.
- The mic's character leans warm and colored rather than neutral, which means it requires thoughtful pairing with preamps — a very colored preamp can push the combination into muddiness, particularly in the low mids.
- At high gain with sensitive preamps in very quiet rooms, the vintage-style circuit topology can reveal a slight hiss that cleaner solid-state designs would suppress — this is a trade-off inherent to the sonic philosophy, not a defect.
- The shock mount included in the box, while functional, is not as mechanically refined as aftermarket options — engineers doing lot-of-takes tracking sessions may prefer upgrading it for more secure isolation.
- The black finish, while striking, is a painted nickel-plated brass body that can show wear at mic clip contact points over time with heavy gigging or travel use.
Frequently Asked Questions
Does the WA-87 R2B require phantom power, and how much current does it draw?
Yes — like all large diaphragm condensers using a discrete transistor circuit, the WA-87 R2B requires 48V phantom power from your interface or console. Ensure your preamp supplies a stable 48V rail; unstable phantom can introduce noise into the signal chain.
When should I engage the -10dB pad on the WA-87 R2B?
Engage the pad when placing the mic close to loud sources — kick drum beaters, guitar amp cones, brass instruments — where the input SPL would push the capsule into distortion. The pad preserves transient integrity and keeps your gain staging clean without having to back the mic far off the source.
How does the WA-87 R2B's figure-of-eight pattern perform for mid-side or stereo room recording?
The figure-of-eight pattern on the R2B has a pronounced rear lobe that captures room reflections symmetrically, making it well-suited as the side element in an M-S pair or for Blumlein stereo setups. Null rejection at 90 degrees is tight, which helps isolate bleed when used in close-quarter sessions.
What does the NOS Fairchild transistor actually contribute to the sound of this microphone?
The NOS Fairchild transistor is central to the WA-87 R2B's sonic character — it contributes to the open, slightly forgiving top end and the smooth low-mid body that defines vintage 87-style mics. Modern replacement transistors often introduce a harder, more clinical edge; the Fairchild helps the mic sit in a mix rather than cut aggressively.
How does the 80Hz high-pass filter affect proximity effect when tracking close vocals?
The 80Hz HPF rolls off the low-frequency buildup caused by proximity effect in cardioid mode, cleaning up chest resonance and room rumble without touching the body of a voice. It's a gentle slope — not a surgical cut — so it tightens the low end while preserving warmth in the 100–200Hz range.