Warm Audio

Warm Audio WA12 MKII Black Microphone Preamp DI

4.3 (17 reviews)
XLR

Discrete single-channel preamp and DI with CineMag transformers and variable impedance for rich, characterful recordings.

$426.55*$449.00Save 5%
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*Price sourced from Amazon.com. Last updated:Jul 14, 2026.Price and availability are subject to change.

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Overview

The Warm Audio WA12 MKII Black is a single-channel microphone preamplifier and instrument DI built around a fully discrete signal path that draws inspiration from classic American console preamp designs. At the heart of the unit are custom CineMag transformers — wound in the USA specifically for Warm Audio — that impart the harmonic saturation and tonal weight associated with high-end vintage recording gear. The signal passes through a discrete 6-pin socketed opamp based on the legendary 1731/2520 topology, and because it is socketed, users have the option to swap in alternative compatible opamps to fine-tune the preamp's character to their taste.

One of the WA12 MKII's most distinctive features is its variable impedance input, which lets you change the electrical load that the preamp places on your microphone. This interaction between mic and preamp impedance is a powerful but often overlooked tonal tool — adjusting it can shift a recording from tight and detailed to thick and saturated without touching an EQ. The preamp delivers up to +71dB of clean gain, making it capable of driving demanding low-output ribbon and dynamic microphones with ease. Three input options — XLR for microphones, balanced TRS, and unbalanced TS for instruments — make it a flexible front-end for tracking vocals, acoustic instruments, electric guitars, bass, and line-level sources. Phantom power, polarity inversion, and a -20dB pad round out the feature set for a preamp designed to handle a wide range of professional recording scenarios.

Key Features

Single channel microphone preamplifier and DI with XLR, Balanced and Unbalanced Inputs

Custom USA CineMag transformers

Fully discrete signal path

Discrete 6-pin socketed 1731 style opamp

Variable impedance input

Specifications

Brand
Warm Audio
Model
WA12 MKII Black
Type
Single-Channel Microphone Preamplifier & Instrument DI
Inputs
XLR, Balanced (TRS), Unbalanced (TS)
Transformers
Custom USA CineMag
Signal Path
Fully Discrete
Op-Amp
Discrete 6-pin socketed 1731-style
Input Impedance
Variable
Maximum Gain
+71dB

Pros & Cons

👍 Pros

  • Custom USA-made CineMag transformers deliver harmonic richness and analog character
  • Variable impedance input allows tonal shaping before any EQ or processing
  • +71dB of gain is enough to cleanly drive low-output ribbon and dynamic microphones
  • Fully discrete signal path with a socketed opamp allows future component upgrades
  • Versatile input options cover microphones, balanced line sources, and unbalanced instruments

👎 Cons

  • Single-channel design means you need two units for stereo recording applications
  • No built-in EQ or high-pass filter for shaping tone at the input stage
  • Relatively heavy and rack-sized for a single-channel preamp, limiting portable setups
  • Premium pricing that exceeds many dual-channel preamps in the entry-level market

Frequently Asked Questions

The WA12 MKII provides three input options: an XLR input for microphones, a balanced TRS input, and an unbalanced TS input that functions as a high-impedance instrument DI for guitars, basses, and keyboards.
The variable impedance switch changes the input impedance that the preamp presents to your microphone. Different impedance settings alter how the microphone interacts with the preamp, affecting the tonal character — lower impedance tends to produce a thicker, warmer sound, while higher impedance delivers a more open, detailed response.
CineMag transformers are custom-wound, USA-made audio transformers that shape the signal passing through the preamp. They contribute harmonic richness and subtle saturation characteristics that are associated with classic high-end analog recording gear.
The WA12 MKII offers up to +71dB of gain, which is sufficient to drive low-output dynamic and ribbon microphones without needing an external boost or inline preamp.
It is a discrete, 6-pin socketed operational amplifier modeled after the classic API 2520 topology. Being socketed means it can be swapped with compatible opamps to further customize the preamp's tonal character.