
Warm Audio
Warm Audio WA273-EQ 2-Channel Microphone Preamp
★★★★★
Warm Audio's dual-channel 1073-style preamp and EQ delivers that coveted British Class A harmonic richness to every tracking session.
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Overview
Key Features
2-channel Mic/Line/Instrument Preamp with 3-band EQ
Specifications
Brand
Warm Audio
Model
WA273-EQ
Type
2-Channel Mic/Line/Instrument Preamp with 3-Band EQ
Channels
2
Circuit Design
Discrete Class A, Transformer-Balanced I/O
Signal-to-Noise Ratio
80 dB
Connectivity
XLR, 1/4" TS
Inputs
Mic (XLR), Line, Instrument (1/4" TS per channel)
Dimensions (L x W x H)
24.6 x 15.75 x 5.7 inches
Power Source
Corded Electric
Material
Metal
Pros & Cons
👍 Pros
- Discrete Class A circuitry with Carnhill transformers delivers authentic 1073-style harmonic saturation and low-end weight
- Two independent channels with full mic/line/instrument inputs reduce outboard count for stereo tracking or dual-source sessions
- 3-band EQ per channel provides musical tonal shaping at the preamp stage, keeping your signal chain shorter and more direct
- XLR, line, and front-panel DI inputs on each channel handle any source without external conversion boxes
- Transformer-balanced I/O maintains signal integrity across long cable runs in professional studio wiring environments
👎 Cons
- 80dB signal-to-noise ratio is adequate but trails cleaner solid-state designs — audible noise floor at maximum gain with low-output ribbon mics
- 3U rack height for two channels is space-intensive compared to single-rack-space dual-channel alternatives
- Stepped gain controls offer repeatable recall but lack the fine resolution of continuously variable pots for precise level matching
- At approximately 24.6 inches deep, the chassis requires generous rack depth and rear clearance for cabling
- No built-in high-pass filter means low-frequency rumble must be addressed elsewhere in the signal chain
Frequently Asked Questions
What circuit topology does the WA273-EQ use, and how close is it to the original 1073 design?
The WA273-EQ uses discrete Class A circuitry with transformer-balanced inputs and outputs, mirroring the gain architecture of the original 1073. Warm Audio uses Carnhill (St Ives) transformers — the same UK manufacturer that wound transformers for classic British consoles — which is a significant factor in achieving the harmonic character associated with that design lineage.
Does each channel have independent EQ, and what are the frequency bands?
Yes, each of the two channels has its own independent 3-band EQ section. The EQ follows the classic 1073 topology with a fixed high-frequency shelf, a switched mid-frequency band with selectable center frequencies, and a switched low-frequency band — giving you musical, broad-stroke tonal shaping rather than surgical parametric control.
What input types does the WA273-EQ accept on each channel?
Each channel provides mic input via XLR, line input, and a front-panel 1/4-inch TS instrument (DI) input. The mic input includes switchable phantom power for condenser microphones. This makes each channel versatile enough to handle any source — microphone, keyboard, bass, guitar — without external DI boxes.
What is the signal-to-noise ratio, and how does the WA273-EQ perform at high gain settings?
The WA273-EQ is rated at 80dB signal-to-noise ratio. At moderate gain settings, the noise floor stays well-controlled for professional tracking. At very high gain settings needed for ribbon microphones or quiet sources, some transformer-induced harmonic coloration becomes audible — which is often desirable and part of the design's sonic appeal.
Will the WA273-EQ fit in a standard rack setup?
The unit is rack-mountable in a standard 19-inch rack and occupies 3U of rack height. At approximately 24.6 inches deep, verify your rack depth accommodates the rear connector clearance.