
Zoom
Zoom 4334434143 H4n PRO Handy Recorder Mic Kit
★★★★★
XLR48VPhantom Power
Four-track field recording with phantom-powered XLR inputs — the H4n Pro kit captures broadcast-quality dialogue wherever the session takes you.
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Overview
Key Features
Adjustable Stereo X/Y Microphone
Can Record 4 Tracks Simultaneously
2 x XLR / 1/4" Combination Input Jacks
3.5mm Mic Input with 2.5V Plug-In Power
28 & 48V Phantom Power
Specifications
Recorder
Zoom H4n Pro
Simultaneous Tracks
4
Built-in Microphones
Adjustable Stereo X/Y capsules (90°/120°)
XLR/Combo Inputs
2 x XLR / 1/4" combination jacks
3.5mm Input
3.5mm mic input with 2.5V plug-in power
Phantom Power
28V and 48V (selectable per input)
Included Microphones
Boya BY-M40D Omnidirectional Lavalier, Boya BY-M4C Cardioid Lavalier
Pros & Cons
👍 Pros
- Four-track simultaneous recording means you capture the X/Y room ambience alongside two independent lavalier feeds — an insurance policy that has saved countless interviews in the field.
- Selectable 28V and 48V phantom power on both XLR inputs makes this compatible with professional condenser lavaliers without a separate power supply or adapter.
- The adjustable X/Y capsule angle (90° or 120°) lets you tune the stereo image width to the recording environment — tighter for a focused subject, wider for ambient capture and music.
- The bundled omni and cardioid lavalier pairing covers both controlled and noisy environments without needing additional microphone purchases on day one.
- Records at up to 24-bit/96kHz to SD card, producing files that drop directly into any professional NLE or DAW without conversion.
👎 Cons
- The internal X/Y capsules' self-noise (~18dB-A) becomes audible at high gain, limiting their usefulness for quiet acoustic sources in low-ambient environments.
- At a field session length, the H4n Pro's AA battery drain is a genuine operational concern — heavy users will want a dedicated battery pack or frequent swaps.
- The H4n Pro's physical size and hand-grip form factor make it conspicuous as a standalone recorder on professional sets where a more discreet bag recorder is preferred.
- The recorder's onboard menu navigation is functional but not fast — adjusting phantom power or track levels mid-session requires menu diving that can interrupt workflow.
- The 3.5mm mic input with 2.5V plug-in power is less robust than the XLR inputs and better suited for smartphone-grade accessories than professional microphones.
Frequently Asked Questions
Can the H4n Pro record the built-in X/Y mics and both XLR inputs simultaneously?
Yes — this is the H4n Pro's defining capability. All four tracks record simultaneously: the stereo X/Y capsules on tracks 1-2 and the two XLR/combo inputs on tracks 3-4, giving you a complete safety net and maximum flexibility in post.
Does the H4n Pro supply phantom power to condenser microphones via the XLR inputs?
Yes. The H4n Pro provides selectable 28V or 48V phantom power on each XLR/combo input independently, making it compatible with a wide range of condenser lavalier microphones and small-diaphragm condensers.
How do the included lavalier microphones differ from each other?
The kit includes both an omnidirectional (Boya BY-M40D) and a cardioid (Boya BY-M4C) lavalier. The omni works well for controlled environments where ambient sound is useful context; the cardioid rejects more off-axis noise and suits situations where you need voice isolation — documentary interviews, run-and-gun ENG work.
What's the self-noise level of the H4n Pro's internal X/Y microphones?
The H4n Pro's internal capsules have a specified self-noise of approximately 18dB(A) — acceptable for field work and ambient capture, but audible at high gain settings in quiet environments. For low-noise tracking of quiet sources, the XLR inputs with a quality external mic will perform better.
Can I use this recorder for sync sound with a camera on a film shoot?
Yes. The H4n Pro records to SD card as standard WAV files (up to 24-bit/96kHz), which are universally compatible with NLEs for dual-system sync. It also has a 3.5mm line output for feeding a camera's audio input directly if you prefer single-system recording.