Zoom

Zoom EXH6 Dual XLR/TRS Input - H6 Capsule

Expand your Zoom H6's input count with two gain-controlled XLR/TRS combo slots — built for field recording sessions that demand more mic channels.

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Overview

The Zoom EXH-6 is built for the moment when your Zoom H6 runs out of inputs mid-session. As a dedicated input expansion capsule, it replaces the H6's interchangeable top module and adds two XLR/TRS combo jacks — each with its own gain control and -20dB pad — pushing the recorder to a full six simultaneous channels. The sonic character here is defined by what you bring to it: the EXH-6 is a transparent routing solution, not a coloring stage, so the signal you feed it is the signal you get back. Dynamic microphones and ribbon mics sit comfortably in this chain, and line-level sources behave cleanly once the pad is engaged.

Build quality follows Zoom's H-series standard — solid enough for road and location use, light enough to forget it's there. The capsule locks into the H6's top slot with a firm click, and the individual gain knobs give you hands-on level control for inputs 5 and 6 independently from the H6's main channel controls. The critical operational note for any working session: phantom power is absent entirely, so your mic selection has to account for that before you arrive on location. For broadcast remote units, ENG rigs, or multi-source field recording setups running dynamics and line feeds, the EXH-6 fills the H6's one genuine gap without adding weight or complexity to the kit.

Specifications

Product Type
H6 Capsule
Inputs
Dual XLR/TRS

Frequently Asked Questions

Phantom power is not supported on the EXH-6 inputs. If you need to connect condenser microphones that require 48V phantom power, you'll need to use the H6's native capsule inputs or run your condenser through an external preamp that supplies its own phantom power before feeding the EXH-6.
The -20dB pad on each input is essential when feeding the EXH-6 from line-level sources like mixers or preamp outputs. Without it, line-level signals will clip the input stage — engaging the pad brings the signal into the proper operating range and gives the H6's converters the headroom they need to stay clean.
Yes. The EXH-6 replaces the H6's interchangeable capsule module and adds inputs 5 and 6, giving you six simultaneous recording channels when combined with the four built-in XLR/TRS inputs on the H6 body.
The EXH-6 has its own individual gain knobs for each of its two inputs, separate from the gain controls for inputs 1–4 on the H6 body. This lets you set each channel's level independently before the signal reaches the recorder.
The EXH-6 is well-suited for dynamic microphones, ribbon mics (which don't need phantom power), and line-level sources such as instrument DI boxes, mixer aux sends, or audio interface outputs. It extends the H6's capability for multi-source field recording or broadcast remote production.