Behringer

Behringer 502 XENYX 5-Input Premium Mixer with Mic Preamp

A clean, low-noise preamp and British EQ in a pocket-sized mixer — the XENYX 502 brings studio signal chain discipline to compact setups.

$55.55*
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*Price sourced from Amazon.com. Last updated:Aug 29, 2026.Price and availability are subject to change — details.

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Overview

The Behringer XENYX 502 is built for scenarios where the signal chain needs to be compact, clean, and cost-effective without abandoning professional fundamentals. A single XENYX mic preamp channel — phantom-powered, quiet, and with genuine headroom — sits at the heart of the design. The neo-classic British 2-band shelving EQ is not a checkbox feature: it's voiced after the broad, musical topology of classic UK consoles, where a modest high-shelf boost adds air and presence rather than the glassy brittleness of lower-cost designs. For podcast voiceover, interview capture, or live streaming audio, that sonic character makes a real difference in how a voice sits in the mix.

The 502 is built around a straightforward analog signal path — XLR in through a preamp, shaped by EQ, mixed with up to four additional inputs, and routed to balanced main outputs plus a dedicated headphone bus. At 13W power consumption and a footprint that fits beside a laptop, it handles broadcast-adjacent and home studio roles without commanding rack space or a complex setup. The absence of USB digital output is worth stating plainly: the 502 is an analog mixer only, and integrating it into a computer-based recording workflow requires an audio interface downstream. For operators who already have an interface and need a clean preamp stage with a mixer buss, the 502 slots neatly into that chain. For those expecting an all-in-one USB recording solution, the feature set does not extend that far.

Key Features

Premium ultra low-noise, high headroom analog mixer

State-of-the-art Xenyx mic preamp comparable to standalone boutique preamps

Neo-classic "British" 2-band EQ for warm and musical sound

Main mix, stereo CD/tape plus separate headphone outputs

CD/tape inputs assignable to headphone output or main mix outputs

Specifications

Channels
5
Mic Preamp
XENYX (1 channel, XLR)
Phantom Power
48V
EQ
Neo-classic British 2-band
EQ Frequency
12 kHz (high shelf)
Outputs
Main mix, stereo CD/tape, headphone
Connectors
3-pin XLR (mic), 1/4" TRS (line/headphone)
USB Audio
No
Power Consumption
13W
Dimensions
6.97 × 5.28 × 1.85 inches
Weight
3.25 lbs

Frequently Asked Questions

Yes — the XENYX mic preamp channel provides 48V phantom power, making the 502 compatible with condenser microphones that require it. This is essential for anyone using a large-diaphragm condenser for podcast voiceover, interview work, or studio tracking. Engage phantom power before connecting the mic and verify your microphone's phantom power requirements.
The XENYX preamp delivers enough gain for most dynamic microphone applications — handheld dynamics for vocals or instrument miking, for example. However, ribbon microphones or very low-output dynamics (like the SM7B used without a cloudlifter) may approach the upper end of the gain range before reaching an ideal signal level. For higher-gain demands, an inline preamp booster ahead of the 502 is a practical solution.
The neo-classic British EQ is modeled on the shelving EQ topology used in classic UK console designs — characterized by a musical, broad-curve response at the high and low shelves rather than a surgical cut/boost. In practice it means boosting highs adds presence and air without harshness, and boosting lows adds warmth without muddiness. It's a tone-shaping tool, not a corrective surgical EQ, and works best when used to complement a good source signal.
Yes — the CD/tape inputs are assignable to either the headphone output or the main mix outputs, or both. This makes the 502 useful for monitor mixing scenarios where a playback source needs to feed headphones for reference without going to the main outputs, or for simple mix-minus setups in broadcast and interview recording workflows.
The microphone input is a 3-pin XLR connector, and the main outputs and line inputs use 1/4-inch TRS phone connectors. The headphone output is also 1/4-inch TRS. There is no USB audio interface functionality — the 502 outputs analog signal only and requires a separate audio interface or recording device downstream if you need to capture to a DAW.