Behringer

Behringer DI4000 V2 4-Channel Active Direct Box

5.0 (1 reviews)

Four channels of clean impedance-matched signal in a single rack unit — the DI4000 V2 brings balanced professional output to any stage or studio session.

$159.00*
In Stock on Amazon.com
View on Amazon

*Price sourced from Amazon.com. Last updated:Jul 14, 2026.Price and availability are subject to change.

Affiliate Disclosure: Studio Supplies may earn a commission from qualifying purchases made through links on this page, at no additional cost to you. This helps support our editorial team.

Notice a mistake? Let Us Know

Overview

The Behringer DI4000 V2 is built for working audio professionals who need to get four instruments onto a console cleanly and efficiently — whether that's a keyboard player running four synths at a festival, a studio engineer tracking a full band direct, or a broadcast technician feeding a clean mix feed to a recorder. The active circuitry does exactly what a DI should: it converts unbalanced, high-impedance instrument signals into balanced, low-impedance signals that travel long cable runs without picking up hum, RF interference, or the tonal degradation that comes from impedance mismatch. The result is a direct signal that retains the natural character of the instrument — the thump of a bass, the sparkle of an acoustic pickup — rather than the thin, mid-heavy sound you'd get from a poor impedance match.

The DI4000 V2 packs four channels into a rackmount unit, with per-channel +20dB gain switches and switchable input attenuation giving the operator meaningful control over the signal level entering and leaving the box. The gain switches are particularly useful in a live context where passive instruments with inconsistent output levels need to meet a console's nominal operating level without over-relying on mic preamp gain — which would drag up the noise floor along with the signal. The switchable attenuation keeps line-level sources in check, preventing input stage saturation from synths and keyboards that output at +4dBu or higher. For the price point, it offers a practical and tidy solution for any engineer managing a multi-source direct signal chain.

Key Features

with +20dB Gain Switches Switchable Input Attenuation

Active Powered 4-ch DI Box

Specifications

Product Type
Active Direct Box
Number of Channels
4
Gain Switches
+20dB

Pros & Cons

👍 Pros

  • Four independent channels handle a full-band DI setup in a single rack unit, eliminating the cable clutter of individual boxes at the stagebox.
  • The +20dB gain switches recover signal from low-output passive instruments without pushing console preamp gain into noisy territory.
  • Switchable input attenuation protects the input stage from clipping when line-level sources like synths or drum machines are patched in.
  • Active circuitry provides clean impedance transformation that preserves the low-end weight and top-end definition of direct instruments — especially noticeable on bass and acoustic guitar.
  • Rack-mount form factor integrates cleanly into a stage or studio rack without eating up precious space.

👎 Cons

  • As a budget-tier active DI, the noise floor may become audible at high gain settings on sensitive monitoring systems — a limitation felt in quiet studio tracking environments more than on a loud stage.
  • Requires 48V phantom power with no battery backup option, so it's dependent on your console or stagebox providing consistent phantom — a single point of failure in a live rig.
  • No ground lift per channel is confirmed from available specs — ground loops on a multi-channel rig without individual lift switches can be a real-world nuisance.
  • The chassis may not withstand the mechanical stress of heavy touring the way higher-cost alternatives from Radial or BSS would.

Frequently Asked Questions

Yes — as an active DI box, the DI4000 V2 requires 48V phantom power from your console or preamp to function. Without phantom power, the active circuitry won't engage and you'll get no output. Always confirm phantom is switched on at the channel strip before soundcheck.
The +20dB gain switch boosts the output level from each channel, which is useful when driving a long cable run to FOH or when a passive instrument like a bass or guitar is producing a particularly low-output signal. It compensates for level loss before the signal hits your preamp, keeping your noise floor in check rather than reaching for excessive gain at the console.
Yes — with four independent channels, you can route a stereo keyboard pair through two channels and still have two channels free for additional instruments or a second keyboard. Each channel handles impedance conversion independently, so there's no crosstalk between your stereo pair and other sources.
The input attenuation reduces the signal level hitting the DI's input stage — use it when connecting a line-level source like a synthesizer output, audio interface output, or powered instrument with a hot signal. Running a hot line-level signal into a DI input without attenuation can clip the input stage, introducing distortion before the signal ever reaches your console.
It's a practical touring option for a four-channel rig — keyboards, acoustic guitar with pickup, bass, and playback tracks can all be handled in a single unit. The build is designed for stage use, though as with any Behringer gear it sits in a budget-to-mid-tier category, so road warriors running heavy touring schedules may want to assess chassis durability against higher-cost alternatives.