
Behringer
Behringer FOUR LFO 4-Channel Eurorack LFO Module
★★★★★
Four channels of voltage-controlled modulation from 500Hz down to 28-hour cycles — deep movement for any Eurorack patch
$76.99*$81.90Save 5%
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*Price sourced from Amazon.com. Last updated:Jun 27, 2026.Price and availability are subject to change.
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Overview
Key Features
4 voltage-controlled LFOs with user-assignable waveforms based on open source Xaoc Batumi*
4 faders to control ultra-wide LFO rates from 500 Hz to 28 hours
Free, quadrature, phase and divide modes for creative sound shaping
Zoom mode for precise frequency settings
Reset and sync input for each channel
Specifications
Brand
Behringer
Model
FOUR LFO
Module Type
Quad LFO (Eurorack)
Width
14HP
Channels
4
Rate Range
500Hz to 28 hours
Waveforms
User-assignable per channel
Modes
Free, Quadrature, Phase, Divide
Features
Zoom mode, per-channel Reset and Sync inputs
Connector
USB Type B
Pros & Cons
👍 Pros
- Four independent LFO channels in 14HP provides dense modulation capability without consuming excessive rack space
- Ultra-wide rate range from audio-rate 500Hz down to 28-hour cycles covers everything from FM synthesis to glacial generative evolution in a single module
- Quadrature and phase modes create coherent multi-channel modulation relationships that produce rich stereo movement and rotating spatial effects
- Per-channel reset and sync inputs allow each LFO to lock to external clock sources for tempo-synchronized modulation across your entire patch
- Zoom mode enables precise fine-tuning of rates that the full-range faders alone cannot achieve, critical for dialing in exact vibrato depths or rhythmic sync points
👎 Cons
- Based on the Xaoc Batumi design but built to Behringer's cost targets, so component quality and long-term reliability may not match the original module
- Fader-based rate control across such an extreme range means small physical movements create large frequency jumps in normal mode, making precise setting difficult without zoom
- No individual waveform output per shape — you get one assignable output per channel rather than simultaneous access to all waveform shapes from each LFO
- 14HP width is moderate but adds up quickly if you are building a small portable skiff where every HP counts
- USB Type B connector suggests firmware update capability, but documentation on available updates and expanded features can be limited
Frequently Asked Questions
What waveform options are available on each of the four LFO channels?
Each channel offers user-assignable waveforms — based on the open-source Xaoc Batumi design — allowing you to select sine, triangle, sawtooth, square, and stepped random shapes per channel, giving you independent modulation characters across all four outputs simultaneously.
How does the rate range of 500Hz to 28 hours affect practical patching?
At the fast end, 500Hz pushes the LFO into audio-rate territory, allowing you to use it as an FM source for metallic, sideband-rich timbres. At the slow extreme, 28-hour cycles create glacial parameter shifts perfect for evolving ambient textures and generative patches that transform over extended performances or installations.
What do the free, quadrature, phase, and divide modes do?
Free mode lets each channel run independently at its own rate. Quadrature locks all four channels to the same rate but offsets them by 90 degrees for rotating spatial effects. Phase mode lets you set custom phase offsets between channels. Divide mode derives each channel's rate as a division of Channel 1, creating rhythmically related modulation patterns.
How does the reset and sync input work for tempo-locked modulation?
Each channel has its own reset and sync input — sending a clock or trigger pulse resets the waveform cycle to its starting point, allowing you to lock LFO cycles to your sequencer tempo or sync modulation sweeps to rhythmic events in your patch.
What is the zoom mode used for on this module?
Zoom mode narrows the range of the fader to a small frequency window around the current setting, letting you make fine-grained rate adjustments that would be difficult with the full 500Hz-to-28-hour sweep — essential for dialing in precise vibrato rates or tempo-matched modulation speeds.