Behringer

Behringer TD-3-MO-AM Analog Bass Synthesizer - Yellow

4.8 (7 reviews)

All-analog acid bass synthesizer with modded-out circuit enhancements for fat, squelchy sequences in electronic production.

$199.00*
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*Price sourced from Amazon.com. Last updated:Jun 27, 2026.Price and availability are subject to change.

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Overview

The Behringer TD-3-MO-AM is a modified version of the already faithful TD-3 analog bass synthesizer — a circuit-level recreation of the legendary machine that gave acid house its voice. The all-analog signal path runs from a single VCO through transistor wave-shaping circuitry into a 4-pole resonant voltage-controlled filter, and the result is unmistakable: fat, rubbery bass tones that bloom into screaming resonant squelches as you sweep the cutoff. The MO-AM modifications push this further, altering the filter and oscillator circuits to unlock more extreme sonic territory — deeper self-oscillation, wilder resonance peaks, and overtone character that the stock unit keeps buttoned up. The built-in overdrive adds analog saturation directly in the signal chain, ranging from gentle tube-like warmth to snarling distortion that cuts through any mix.

The 16-step sequencer is the creative engine here, letting you punch in classic acid patterns with accent and slide per step — the essential ingredients for those bubbling, evolving bass lines. The arpeggiator adds another layer of real-time pattern generation, and MIDI sync via USB or traditional MIDI keeps everything locked to your DAW or external hardware. Poly Chain capability means multiple units can be linked for polyphonic bass duties, though most producers will use this as the monophonic acid machine it was born to be. The compact metal chassis is road-worthy and pedalboard-friendly, and the yellow finish makes it easy to spot on a crowded studio desk. For the price of a mid-range plugin bundle, the TD-3-MO-AM puts genuine analog synthesis with expanded modded character directly under your fingers.

Key Features

All-analog Bass Synthesizer with 16-step Sequencer

Poly Chain Capability

4-pole Resonant VCF

Arpeggiat

Overdrive

Specifications

Brand
Behringer
Model
TD-3-MO-AM
Type
Analog Bass Synthesizer
Synthesis
All-Analog Signal Path
Sequencer
16-Step
Filter
4-Pole Resonant VCF
Features
Arpeggiator, Overdrive, Poly Chain
Connectivity
MIDI, USB
Color
Yellow

Pros & Cons

👍 Pros

  • Fully analog signal path delivers authentic harmonic richness and filter resonance that digital emulations cannot replicate.
  • Built-in overdrive circuit adds usable saturation ranging from subtle warmth to aggressive grit without external processing.
  • 16-step sequencer with arpeggiator enables immediate acid pattern creation without requiring a DAW or external sequencer.
  • 4-pole resonant VCF produces the signature squelchy filter sweeps with smooth self-oscillation at high resonance settings.
  • Circuit modifications extend the sonic range beyond the stock TD-3, opening up more extreme tonal territory for sound design.

👎 Cons

  • Monophonic single-oscillator architecture limits you to one note at a time without Poly Chain units.
  • Small form factor means tightly spaced knobs that can be difficult to tweak precisely during live performance.
  • No built-in effects beyond overdrive — reverb, delay, or chorus require external processing.
  • 16-step sequencer length may feel restrictive for longer or more complex bass patterns without chaining.
  • USB MIDI implementation can be finicky with some DAWs, occasionally requiring driver configuration.

Frequently Asked Questions

The TD-3-MO-AM is fully analog from oscillator through filter to output. The VCO, VCF, and VCA are discrete analog circuits, which means the harmonic saturation and filter sweep character are generated by real component behavior, not DSP modeling.
Poly Chain allows you to link multiple TD-3 units together so they respond as a single polyphonic instrument. You connect the units via MIDI, assign each to a voice in the chain, and your controller or sequencer distributes notes across them automatically.
The overdrive circuit adds transistor-style harmonic saturation directly in the analog signal path before the output stage. At low settings it thickens the tone with subtle grit; pushed hard it introduces aggressive clipping that cuts through dense mixes — all without needing an external distortion pedal.
Yes, the TD-3-MO-AM syncs via MIDI clock or USB, so the internal sequencer and arpeggiator will lock to your DAW tempo or external hardware sequencer. This keeps your bass lines tight with the rest of your production without manual tap-tempo adjustment.
The MO-AM variant includes circuit modifications that expand the sonic range beyond the stock TD-3 — these mods affect the filter behavior and oscillator character, giving you access to more extreme resonance sweeps and tonal variations that the unmodified version cannot reach.