Peavey

Peavey DM112 Dark Matter Powered PA Loudspeaker 660W

4.1 (21 reviews)
660W

660 watts of bi-amplified headroom with pro-grade DSP — the Peavey DM112 delivers controlled, consistent reinforcement from rehearsal rooms to mid-size live stages.

$399.99*
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*Price sourced from Amazon.com. Last updated:Jun 28, 2026.Price and availability are subject to change.

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Overview

The Peavey DM112 Dark Matter is built for working sound reinforcement professionals who need a powered cabinet that sounds consistent night after night across rehearsal spaces, small clubs, and mid-capacity venues. The sonic character is open and revealing in the mids — voices and instruments project with clarity rather than the hyped high-end sheen that makes some PA speakers sound impressive on first listen but fatiguing across a full set. At 660 watts through a bi-amplified topology, there's enough headroom to run the cabinet at moderate levels without the compressed, strained quality you hear when a smaller or single-amp system is pushed hard. The onboard 96kHz/24-bit DSP handles the crossover and equalization with a transparency that keeps the signal chain honest — what comes out of the board is what you hear in the room, just louder.

The Quadratic Throat Waveguide is the engineering detail that defines the DM112's behavior in real rooms. A 110x80 degree dispersion pattern — wide horizontally, controlled vertically — means the speaker throws across a full audience width while minimizing the ceiling and floor bounce that muddies intelligibility in reflective spaces. Fan cooling keeps the amplifier section thermally stable through long sets, and the cabinet's inputs accommodate direct mic or line sources via the front-panel gain switch. The build is road-practical if not boutique — the cabinet survives regular load-ins, and the connection points hold up under the mechanical stress of repeated cable plugging. For rental companies, house systems in small venues, or touring bands that carry their own PA, the DM112 delivers professional-grade sonic performance in a portable, self-contained package that doesn't demand a dedicated system engineer to operate well.

Key Features

Two-way bi-amplified analog amp powered speaker system; DSP I/O is at 96 kHz and 24 bits, with low-jitter, professional grade components; Fan cooled for maximum reliability

Exclusive Quadratic Throat Waveguide technology, 110 by 80 degree coverage; A Mic/Line switch provides for two different gain settings; Thru output is via a male XLR jack

Exclusive Quadratic Throat Waveguide technology, 110 by 80 degree coverage; A Mic/Line switch provides for two different gain settings; Thru output is via a male XLR jack

Full-coverage perforated steel grille, with powder coat finish; DX14 compression driver, with 1.4 inch titanium diaphragm; Pole mount molded-in for 1 3/8" diameter poles; 12" heavy-duty woofer

Input is via a combo female XLR and 1/4" TRS phone jack with balanced input; User Preset EQ storage provisions allow storing custom presets for later recall; DSP processing is 64 bit double-precision

Advanced DSP - 96K Digital Signal Processing For MAX performance

Specifications

Model
DM112 Dark Matter
Type
2-Way Bi-Amplified Powered Speaker
Total Power
660 Watts
DSP Sample Rate
96 kHz
DSP Bit Depth
24-bit
Waveguide
Quadratic Throat Waveguide
Coverage Pattern
110° x 80°
Input Gain Switch
Mic/Line
Cooling
Fan cooled

Pros & Cons

👍 Pros

  • The 96kHz/24-bit DSP delivers noticeably transparent equalization and limiting — high frequencies stay articulate and percussive transients retain their attack without the dull compression artifacts of lower-spec onboard processing.
  • Bi-amplified design keeps low-end punch intact even when high-frequency content is dense — kick drum and bass sit cleanly in the mix without intermodulation muddiness from a shared amplifier.
  • The Quadratic Throat Waveguide's 110x80 degree dispersion pattern controls room reflections effectively, making the speaker sound consistent across seating positions rather than bright on-axis and dull off.
  • Fan cooling maintains output reliability under extended high-level use — sustained loud shows don't force the DM112 into thermal limiting the way passively cooled systems sometimes do.
  • The Mic/Line switch enables direct connection from mic or mixer without an additional preamp stage, simplifying the signal chain for smaller installs and rehearsal use.

👎 Cons

  • At 660 watts the DM112 is well-suited for small-to-mid venues, but in larger rooms or outdoor stages without additional subs and fills, the single 12-inch cabinet will run out of headroom before the gig does.
  • The cooling fan is audible in quiet passages or between-song silences on an intimate stage — in hushed theatrical or acoustic environments this can be a noticeable distraction.
  • The cabinet's plastic construction, while functional, doesn't carry the same road-case confidence as fully wooden enclosures when loading in and out repeatedly over years of touring.
  • No onboard parametric EQ or built-in feedback suppression means you're dependent on the front-of-house console for room tuning — the DM112's DSP corrects the speaker's response but doesn't substitute for a proper EQ curve at the board.
  • The built-in DSP is not user-adjustable from the front panel — there's no means to store or recall presets for different venues without a connected external device.

Frequently Asked Questions

Bi-amplification means separate amplifier stages power the low-frequency woofer and the high-frequency driver independently — the result is tighter transient response across the frequency range, because neither amp is compromised by the demands of the other. In practice, kick and bass notes hit cleanly without smearing the top end.
Processing the signal at 96kHz sample rate and 24-bit depth means the onboard EQ, limiting, and crossover are computed with headroom well above the audible range — you hear the result as a cleaner, more transparent sound with fewer processing artifacts than lower-spec digital systems.
No — it is a self-powered (active) loudspeaker with all amplification built in. You connect your mixing board or source directly to the speaker's input, making setup faster and reducing the equipment footprint on smaller gigs.
The Mic/Line switch selects between two input gain stages — Line for mixer outputs and line-level sources, Mic for direct microphone connection when no mixing console is in the signal chain. Selecting the wrong setting will result in either clipping or a very weak signal, so matching this to your source is a critical gain-staging step.
The Quadratic Throat Waveguide's 110x80 degree dispersion gives you wide horizontal throw to cover an audience across a full room width, with tighter vertical control to reduce floor and ceiling reflections. This means more direct sound reaching listeners and less muddy room reinforcement, even in acoustically difficult spaces.