
Peavey DM112 Dark Matter Powered PA Loudspeaker 660W
660 watts of bi-amplified headroom with pro-grade DSP — the Peavey DM112 delivers controlled, consistent reinforcement from rehearsal rooms to mid-size live stages.
*Price sourced from Amazon.com. Last updated:Jun 27, 2026.Price and availability are subject to change.
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Overview
Key Features
Two-way bi-amplified analog amp powered speaker system; DSP I/O is at 96 kHz and 24 bits, with low-jitter, professional grade components; Fan cooled for maximum reliability
Exclusive Quadratic Throat Waveguide technology, 110 by 80 degree coverage; A Mic/Line switch provides for two different gain settings; Thru output is via a male XLR jack
Exclusive Quadratic Throat Waveguide technology, 110 by 80 degree coverage; A Mic/Line switch provides for two different gain settings; Thru output is via a male XLR jack
Full-coverage perforated steel grille, with powder coat finish; DX14 compression driver, with 1.4 inch titanium diaphragm; Pole mount molded-in for 1 3/8" diameter poles; 12" heavy-duty woofer
Input is via a combo female XLR and 1/4" TRS phone jack with balanced input; User Preset EQ storage provisions allow storing custom presets for later recall; DSP processing is 64 bit double-precision
Advanced DSP - 96K Digital Signal Processing For MAX performance
Specifications
Pros & Cons
👍 Pros
- The 96kHz/24-bit DSP delivers noticeably transparent equalization and limiting — high frequencies stay articulate and percussive transients retain their attack without the dull compression artifacts of lower-spec onboard processing.
- Bi-amplified design keeps low-end punch intact even when high-frequency content is dense — kick drum and bass sit cleanly in the mix without intermodulation muddiness from a shared amplifier.
- The Quadratic Throat Waveguide's 110x80 degree dispersion pattern controls room reflections effectively, making the speaker sound consistent across seating positions rather than bright on-axis and dull off.
- Fan cooling maintains output reliability under extended high-level use — sustained loud shows don't force the DM112 into thermal limiting the way passively cooled systems sometimes do.
- The Mic/Line switch enables direct connection from mic or mixer without an additional preamp stage, simplifying the signal chain for smaller installs and rehearsal use.
👎 Cons
- At 660 watts the DM112 is well-suited for small-to-mid venues, but in larger rooms or outdoor stages without additional subs and fills, the single 12-inch cabinet will run out of headroom before the gig does.
- The cooling fan is audible in quiet passages or between-song silences on an intimate stage — in hushed theatrical or acoustic environments this can be a noticeable distraction.
- The cabinet's plastic construction, while functional, doesn't carry the same road-case confidence as fully wooden enclosures when loading in and out repeatedly over years of touring.
- No onboard parametric EQ or built-in feedback suppression means you're dependent on the front-of-house console for room tuning — the DM112's DSP corrects the speaker's response but doesn't substitute for a proper EQ curve at the board.
- The built-in DSP is not user-adjustable from the front panel — there's no means to store or recall presets for different venues without a connected external device.