Warm Audio

Warm Audio WA-MPX Single-Channel Tube Mic Preamp Tape Saturation

4.0 (1 reviews)

Chase the sound of classic American tape sessions with a tube preamp built on genuine 351-style circuit topology and handwired CineMag transformers.

$798.99*
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*Price sourced from Amazon.com. Last updated:Jun 27, 2026.Price and availability are subject to change.

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Overview

The Warm Audio WA-MPX occupies a specific and appealing space in the studio rack: the tape-era tube preamp, reimagined for modern studios that want that sound without the maintenance overhead of actual vintage gear. Its lineage is the 351-style preamplifier circuit from American reel-to-reel machines — the signal path that colored foundational rock recordings and radio broadcasts in the late 1950s and 60s. What you hear through the WA-MPX is a preamp with genuine transformer iron in the signal path, three tubes per channel running at 300V, and a saturation stage that behaves like tape — compressing peaks naturally, fattening the low mids, softening transient edges without dulling them entirely. It's the kind of preamp where a vocal track sounds like it was committed to something, not just captured.

The handwired construction using custom-wound USA CineMag transformers is the technical foundation for its sonic performance — transformers contribute the harmonic character and low-frequency weight that circuit topology alone can't produce. Controls are deliberate and well-chosen: 90dB of gain on tap, the analog tape saturation engage switch, and the pair of fixed-frequency filters (80Hz hi-pass, 2kHz low-pass) that let you shape the preamp output before anything hits the converters. The unit is built for a fixed studio environment — rack-mount, tube warmup required, heat to manage — but in that context it handles session after session reliably. For producers tracking vocals, acoustic instruments, or any source where harmonic richness matters more than clinical transparency, the WA-MPX offers a credible vintage signal path at a fraction of original hardware prices.

Key Features

Authentic Reproduction Of The Most Revered Tape-Era Tube Mic Preamp: The WA-MPX is based on the 351-style tube preamplifier found in American tape machines that pioneered the birth of rock ‘n’ roll & radio-ready hits.

Power & Versatility For A Wider Range Of Analog Tone: Delivering an impressive 300v of raw power & 90dB of tube gain, WA-MPX achieves clean gain & powerful volume, that pushes the tubes to saturate just like the most timeless analog gear.

Premium Components & Handwired Construction For An Authentic Vintage Experience: Hand-assembled with three premium tubes per channel paired with custom-wound true-to-spec USA CineMag transformers, the WA-MPX authentically reproduces all the analog tone of the original.

Selectable, All-Analog Tape Saturation: WA-MPX uses discrete analog components that provide compression, saturation, and non-linear frequency response for authentic tape-era reel-to-reel sound at 15IPS.

Hi-Pass (80Hz) & Low-Pass (2kHz) Filters to Refine Tone: The 2kHz low-pass filter allows you to further shape and focus your tone, dialing in ultimate midrange warmth & punch. The 80Hz hi-pass filter helps remove unwanted bass noise from unruly sources.

Hand-Inspected & Tested at Warm Audio HQ in Austin, Texas: Carefully inspected at Warm Audio Headquarters in Austin, Texas by trained engineers & musicians with a passion for helping you sound your best.

Specifications

Product Type
Single-Channel Tube Mic Preamp
Model
WA-MPX
Brand
Warm Audio
Gain
90dB
Tube Complement
Three premium tubes per channel
Transformers
Custom-wound true-to-spec USA CineMag
Saturation Type
Selectable, All-Analog Tape Saturation
Tape Emulation Speed
15IPS
Hi-Pass Filter
80Hz
Low-Pass Filter
2kHz
Power Supply
300v of raw power
Construction
Handwired

Pros & Cons

👍 Pros

  • 90dB of tube gain opens up passive ribbon mics and low-sensitivity dynamics without adding noise floor — critical for tracking quiet acoustic sources with character.
  • Selectable all-analog tape saturation adds genuine harmonic density and compression that emulates the reel-to-reel recordings it's based on, without requiring a tape machine in the signal chain.
  • Three premium tubes per channel and custom-wound CineMag transformers contribute the harmonic complexity and transformer coloration that distinguish true vintage preamp character from modern clean designs.
  • The 2kHz low-pass filter is a rare and genuinely useful control for taming harsh or bright sources at the preamp stage rather than reaching for corrective EQ downstream.
  • Handwired construction at Warm Audio's Austin facility supports repairability and longevity — this isn't a surface-mount throwaway unit.

👎 Cons

  • Tube warmup time means the WA-MPX isn't an instant-on solution for spontaneous tracking sessions — plan for several minutes before the circuit is thermally stable.
  • At 300V internal operating voltage and three tubes per channel, it draws meaningful power and generates heat — rack ventilation above the unit is important in dense rack configurations.
  • Single-channel design means two units are required for stereo tracking, roughly doubling cost and rack space for producers who regularly record in stereo.
  • The 2kHz low-pass filter's fixed frequency makes it a blunt creative tool — there's no sweep, so it either works for your source or it doesn't.
  • No DI input means the WA-MPX is exclusively a microphone preamp — direct instrument sources require a separate DI box upstream.

Frequently Asked Questions

The WA-MPX provides up to 90dB of tube gain — more than sufficient for passive ribbon mics and low-output dynamics like the SM7B that need 60–70dB to hit healthy levels. That headroom means you're driving the tubes into their sweet saturation zone rather than boosting a fragile signal at the end of the chain.
No — the tape saturation on the WA-MPX is entirely analog, using discrete components to introduce the compression, harmonic saturation, and non-linear frequency behavior characteristic of reel-to-reel tape running at 15 IPS. There's no DSP or modeling involved; you're engaging a physical analog circuit path.
The 80Hz hi-pass filter rolls off low-end rumble — useful for tracking vocals in an untreated room or cutting proximity effect from a close-miked source. The 2kHz low-pass filter is the more unusual inclusion: it softens the upper midrange and high end for a distinctly warm, focused tone. Engage it on harsh sources — overdriven guitars, bright condensers — when you want the signal to sit deeper in a dense mix.
The WA-MPX is a tube preamp that operates on its own internal high-voltage supply (300V). It does support 48V phantom power output for condenser microphones — engage it as needed per session.
It's primarily a studio-grade rack unit. The handwired construction and tube complement require warmup time and careful handling that make it less practical for touring or front-of-house applications. In a fixed studio or live room setting, it's built solidly enough for daily session use.