
Warm Audio WA-MPX Single-Channel Tube Mic Preamp Tape Saturation
Chase the sound of classic American tape sessions with a tube preamp built on genuine 351-style circuit topology and handwired CineMag transformers.
*Price sourced from Amazon.com. Last updated:Jun 27, 2026.Price and availability are subject to change.
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Overview
Key Features
Authentic Reproduction Of The Most Revered Tape-Era Tube Mic Preamp: The WA-MPX is based on the 351-style tube preamplifier found in American tape machines that pioneered the birth of rock ‘n’ roll & radio-ready hits.
Power & Versatility For A Wider Range Of Analog Tone: Delivering an impressive 300v of raw power & 90dB of tube gain, WA-MPX achieves clean gain & powerful volume, that pushes the tubes to saturate just like the most timeless analog gear.
Premium Components & Handwired Construction For An Authentic Vintage Experience: Hand-assembled with three premium tubes per channel paired with custom-wound true-to-spec USA CineMag transformers, the WA-MPX authentically reproduces all the analog tone of the original.
Selectable, All-Analog Tape Saturation: WA-MPX uses discrete analog components that provide compression, saturation, and non-linear frequency response for authentic tape-era reel-to-reel sound at 15IPS.
Hi-Pass (80Hz) & Low-Pass (2kHz) Filters to Refine Tone: The 2kHz low-pass filter allows you to further shape and focus your tone, dialing in ultimate midrange warmth & punch. The 80Hz hi-pass filter helps remove unwanted bass noise from unruly sources.
Hand-Inspected & Tested at Warm Audio HQ in Austin, Texas: Carefully inspected at Warm Audio Headquarters in Austin, Texas by trained engineers & musicians with a passion for helping you sound your best.
Specifications
Pros & Cons
👍 Pros
- 90dB of tube gain opens up passive ribbon mics and low-sensitivity dynamics without adding noise floor — critical for tracking quiet acoustic sources with character.
- Selectable all-analog tape saturation adds genuine harmonic density and compression that emulates the reel-to-reel recordings it's based on, without requiring a tape machine in the signal chain.
- Three premium tubes per channel and custom-wound CineMag transformers contribute the harmonic complexity and transformer coloration that distinguish true vintage preamp character from modern clean designs.
- The 2kHz low-pass filter is a rare and genuinely useful control for taming harsh or bright sources at the preamp stage rather than reaching for corrective EQ downstream.
- Handwired construction at Warm Audio's Austin facility supports repairability and longevity — this isn't a surface-mount throwaway unit.
👎 Cons
- Tube warmup time means the WA-MPX isn't an instant-on solution for spontaneous tracking sessions — plan for several minutes before the circuit is thermally stable.
- At 300V internal operating voltage and three tubes per channel, it draws meaningful power and generates heat — rack ventilation above the unit is important in dense rack configurations.
- Single-channel design means two units are required for stereo tracking, roughly doubling cost and rack space for producers who regularly record in stereo.
- The 2kHz low-pass filter's fixed frequency makes it a blunt creative tool — there's no sweep, so it either works for your source or it doesn't.
- No DI input means the WA-MPX is exclusively a microphone preamp — direct instrument sources require a separate DI box upstream.