Soundcraft

Soundcraft EFX12 12-Channel Lexicon Effects Mixer

4.4 (61 reviews)
XLR

Soundcraft GB30 preamps and 32 Lexicon effects in a compact frame — the EFX12 brings club-grade live mixing to any stage or studio session.

$835.00*
In Stock on Amazon.com
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*Price sourced from Amazon.com. Last updated:Jun 19, 2026.Price and availability are subject to change.

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Overview

The Soundcraft EFX12 is built for engineers who need professional preamp quality and integrated effects in a board they can carry to a club, drop into a rehearsal room, or run as a front-end submixer in a project studio. The GB30 mic preamp — derived from Soundcraft's full-console heritage — delivers what you expect from that lineage: a quiet, open noise floor that lets transient detail breathe through at moderate to high gain settings. Paired with 3-band EQ featuring a swept midrange on mono channels, the EFX12 gives you the tonal control that separates professional-grade boards from budget alternatives. The 24-bit Lexicon effects engine adds 32 FX programs covering reverb, delay, chorus, and modulation textures, all accessible via a clean aux send architecture so your dry signal never gets muddy.

Physically, the EFX12 is built to handle the realities of live work — metal XLR and ¼" jacks resist the mechanical stress of nightly rigging, and the channel layout is intuitive enough to navigate in low-light stage conditions. The Tap Tempo function and FX store capability are the two workflow features that make this board particularly well-suited to repetitive live performance contexts: dial in your reverb tail and delay time during soundcheck, store it, and recall it show after show without interrupting your mix. For project studios and small production houses, the aux-fed effects routing and clean preamp stage make it a capable front-end for keyboard submixing, podcast production, and live-to-room recording where low latency matters more than plugin-based processing.

Key Features

8+2 and 12+2 channel frame sizes

Built-in 24 bit Lexicon digital effects processor

32 FX settings

Tap Tempo and FX setting store function

XLR-type and ¼” metal jack connector sockets

This product is sourced from an authorized Soundcraft North American dealer and includes the official Soundcraft manufacturer’s warranty. The warranty is valid only for products purchased from authorized Soundcraft North American dealers within the United States.

Specifications

Channels
12 (8 mono + 2 stereo)
Effects Processor
Built-in 24-bit Lexicon digital effects
FX Settings
32
Connectivity
XLR-type and ¼” metal jack connector sockets
Special Functions
Tap Tempo, FX setting store

Pros & Cons

👍 Pros

  • GB30 mic preamps deliver low-noise, transparent gain with enough headroom for high-SPL sources like live drums and brass
  • Swept mid EQ on mono channels gives surgical frequency control that fixed-mid boards simply can't match in a live or tracking context
  • 32 built-in Lexicon effects with Tap Tempo mean you get studio-quality reverb and delay locked to tempo without external hardware
  • Aux send structure keeps effects cleanly separated from the dry signal, preserving mix transparency
  • XLR and metal ¼" jacks on inputs signal build quality intended for repeated rigging and teardown in live environments

👎 Cons

  • No insert points on individual channels limits parallel compression or per-channel outboard processing options
  • Fixed-height gain structure means no pad switch on mic inputs — very loud sources may require external attenuation before the preamp stage
  • The effects processor, while Lexicon-licensed, runs 24-bit internally, which may not satisfy engineers accustomed to 32-bit float effects chains in high-end studio rigs
  • No motorized or recallable faders makes session recall for multi-show or recording setups a manual, time-consuming process

Frequently Asked Questions

The GB30 preamp architecture is derived from Soundcraft's professional console lineage — at moderate gain you'll hear a transparent, low-noise floor with enough headroom to handle dynamic sources like drums or loud vocalists without clip artifacts bleeding into the mix.
Yes, the EFX12 provides 48V phantom power, making it compatible with condenser microphones across the channel inputs. Engage phantom only on channels requiring it — running it globally when mixing dynamic and ribbon mics on the same session can introduce noise or risk ribbon damage.
The effects are routed through an aux send structure, so you control wet/dry blend per channel. Tap Tempo lets you lock reverb and delay times to the groove of your show in real time — the stored FX settings function means you can recall a dialed-in plate reverb or hall setting between sets without scrolling through presets mid-show.
Mono channels feature 3-band EQ with a swept midrange, which is the practical differentiator — you can sweep the mid frequency to find and cut a nasal honk in a vocal or boost the presence of a guitar without being locked to a fixed center frequency. Stereo inputs carry a fixed 3-band EQ.
Absolutely — the XLR and ¼" metal jack connectivity on each channel makes it straightforward to route outboard gear, keyboards, and multiple mic sources into a DAW interface via the main or aux outputs. It works well as a front-end summing stage for hybrid recording setups.