Roland
Roland AUS-RH-5 Stereo Headphones with Guitar Picks
★★★★★
Closed-back 40mm drivers and a 3-meter cord deliver balanced monitoring across the full Roland instrument lineup in a 190-gram package.
$59.99*
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*Price sourced from Amazon.com. Last updated:Jul 14, 2026.Price and availability are subject to change.
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Overview
Key Features
When your music-making spans from DAW production to playing a range of electronic instruments, keep the RH-5 headphones at hand and you'll always be ready to get creative. Competitively priced, this entry model in Roland's acclaimed RH range is a great choice, equipped with 40mm drivers they deliver a dynamic-yet-balanced tone from digital pianos, guitars, synths, digital drums and more.
With RH-5 headphones, you can block out distractions and lose yourself in the music. The closed-back design means you'll never be interrupted by external noise or sound-bleed from other instruments, while the lightweight 190-gram construction prevents fatigue when you're working late on a demanding mix or musical piece. With the addition of a tough 3-metre cord that lets you move easily between different instruments, computers and recording consoles.
RH-5 headphones are equipped with high-performance 40mm drivers for dynamic sound and high-quality performance. They provide a natural, balanced response for a range of instruments. Even when the session's over, the RH-5 headphones are ideal for streaming music, complete with powerful bass and crystal clear highs.
With it's secure and comfortable lightweight design, it's portable and great for genereal audio playback. The conversion plug included with the RH-5 accommodates standard and mini headphone connectors too! RH-5 headphones make recording and practice sessions more comfortable, focused and productive.
Bundle includes a 3-pack of Boss celluloid guitar picks in varying thickness, so you can start playing right out of the box!
Specifications
Type
Closed-Back, Dynamic
Driver Diameter
40mm
Sensitivity
92 dB/mW
Maximum Input
1000 mW
Impedance
32 ohm
Frequency Response
10 – 22,000 Hz
Weight
190g (without cord)
Cord Length
3 meters
Plug
Stereo mini (gold-plated) + 1/4" adapter
Bundle Includes
Roland RH-5 headphones, Boss celluloid guitar picks (3-pack, varying thickness)
Pros & Cons
👍 Pros
- The 40mm drivers with 10–22,000 Hz frequency response cover the full audible range for instrument monitoring and music playback without audible rolloff at either extreme.
- The 32-ohm impedance drives to usable monitoring levels directly from Roland instrument headphone outputs without an amplifier in the chain.
- Closed-back construction reduces external bleed during recording sessions, protecting mic channels from headphone crosstalk.
- At 32 ohms impedance and 92 dB/mW sensitivity, the RH-5 drives to comfortable volume from any standard headphone output — no amp required for keyboard, phone, or laptop use.
- 190-gram construction is measurably lighter than most closed-back studio headphones in this category, reducing fatigue during extended DAW sessions or late-night practice.
- The 190-gram weight prevents listener fatigue during extended practice or mix sessions where heavier cans become a distraction.
- A 10–22,000 Hz frequency response captures the full range of digital piano and synthesizer output without low-end rolloff artifacts.
- The 3-meter straight cord provides enough slack to move freely between a keyboard bench, computer desk, and recording interface without a cable extender.
- The gold-plated stereo mini plug with included 1/4-inch adapter provides immediate compatibility with both standard consumer devices and professional audio equipment without a separate adapter purchase.
- The included 1/4-inch adapter provides compatibility with full-size instrument jacks without requiring a separate accessory purchase.
👎 Cons
- The cable is not listed as detachable or field-replaceable — a single cable failure at the strain relief point, which is the most common failure location on long-cord headphones, likely means the entire unit needs replacement.
- At 92 dB/mW sensitivity, the RH-5 is on the lower end of efficiency — it will be noticeably quieter than more sensitive headphones at identical output levels from low-power sources.
- The 3-metre non-detachable cord cannot be swapped for a shorter or coiled cable, limiting options for tidy cable management in tight studio configurations.
- At 32 ohms, the RH-5 is designed for consumer-level source impedances; pairing it with a high-output-impedance amplifier (above ~8 ohms source impedance) will alter the frequency response by damping factor interaction.
- The frequency response rolls off at 22,000 Hz — adequate for music playback but below the 30,000 Hz+ extension that high-resolution audio monitoring headphones provide for producers working at 96kHz or above.
- Closed-back isolation works in both directions — extended wear can cause ear cup heat buildup, particularly in warmer recording environments or during long sessions.
- The 1,000 mW maximum input power is moderate — driving these at sustained high volumes through a powerful interface amplifier risks long-term driver stress.
- The entry-level driver construction means it will show audible compression artifacts at the 1000 mW maximum input level before permanent damage — that ceiling is a protection rating, not a recommended listening level.
- No memory foam or gel-cushioned ear pads are specified — standard foam pads typically compress and degrade over 12–24 months of daily use, affecting both comfort and passive isolation performance.
- The bundled Boss guitar picks, while a practical bonus for guitarists, add no value for keyboard or production-focused users and inflate the bundle price marginally.
Frequently Asked Questions
Are the RH-5 headphones suitable for critical mixing, or are they more of a practice/monitoring tool?
The RH-5 is positioned as an entry-level studio/practice headphone, not a reference mixing tool. The 40mm drivers with 32-ohm impedance and 10–22,000 Hz frequency response provide a dynamic, balanced sound that is useful for instrument monitoring and general playback. Critical mix engineers typically reach for headphones with flatter, more analytically accurate frequency response curves — the RH-5's sound character is tuned for musical enjoyment and instrument feedback rather than uncolored reference monitoring.
What driver size and impedance do the RH-5 headphones use, and what does that mean for my devices?
The RH-5 uses 40mm dynamic drivers at 32 ohms impedance. At 32 ohms, these headphones will drive to sufficient volume directly from a headphone output on a digital piano, audio interface, or laptop without requiring a dedicated headphone amplifier — it's a deliberately practical impedance choice for instrument-level outputs.
What is the frequency response range of the RH-5 headphones?
Frequency response is specified at 10–22,000 Hz. The lower bound of 10 Hz extends slightly below typical human hearing thresholds, which means sub-bass content from synths and digital pianos is represented in the mix rather than rolled off at the transducer level.
Will the RH-5's 32-ohm impedance drive adequately from a phone, tablet, or laptop headphone jack without an amplifier?
Yes. At 32 ohms and 92 dB/mW sensitivity, the RH-5 is efficient enough to reach comfortable listening volumes from a standard 3.5mm headphone output on a phone, laptop, or keyboard instrument without a dedicated headphone amplifier. The 1000 mW maximum input rating means it can also handle higher-powered amplifier outputs without distortion.
The cord is listed as 3 meters — is it coiled or straight, and is it detachable?
The RH-5 uses a straight 3-meter (approximately 10-foot) cord. The product listing does not indicate a detachable or replaceable cable design, which is a consideration for heavy daily use where cable strain is a long-term reliability concern. The cord length provides comfortable range of motion between a keyboard, computer, and recording console without stretching.
Will the 3-metre cord create problems in confined studio setups?
A 3-metre cord is intentionally longer than typical consumer headphones. It provides enough reach to move between a keyboard, a mixer, and a recording console without unplugging. In a compact desk setup this length can create cable management overhead, but it eliminates the awkward tension on the plug that shorter cables create when the source is on a rack or floor unit.
Does the closed-back design of the RH-5 provide effective isolation during recording with live instruments?
Yes — the closed-back design is the key isolation mechanism here. It reduces bleed from the headphone speakers into a nearby microphone, which matters if you're recording a vocalist or acoustic instrument while the performer monitors through these. It also blocks environmental noise from reaching the listener during a mix session.
Does the closed-back design provide enough isolation to use while practicing next to a drum kit or loud band rehearsal?
The closed-back design provides passive sound isolation suitable for general practice environments, instrument monitoring, and late-night DAW sessions. It is not rated for industrial noise isolation — a loud live rehearsal room will still bleed through at high SPL. For stage monitoring or very loud practice environments, in-ear monitors with deeper seal characteristics provide better isolation than any over-ear passive design.
What is included in this bundle, and are the guitar picks useful for anything beyond beginner use?
The bundle includes the Roland RH-5 headphones and a 3-pack of Boss celluloid guitar picks in varying thickness (thin/medium/heavy or equivalent gradations). Boss picks are a standard, well-regarded pick format used by players at all levels — the varying thickness pack is genuinely useful for players still finding their preferred pick weight, and Boss celluloid picks are a common everyday choice rather than a throwaway promotional item.
What plug type does the RH-5 use and what adapter is included?
The RH-5 terminates in a gold-plated 3.5mm stereo mini plug with a 1/4-inch (6.3mm) adapter included. This covers both the mini jack outputs common on portable gear and computers, and the full-size 1/4-inch outputs standard on audio interfaces, mixers, and most Roland instruments.
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